DDD 2025 at TMP
Mélanie Ferreira & Daniel Matos
Durarei por Paz e Nunca por Mal
April
2025
Fri
25
Sat
26
Sinopse
There are infinite paths, long straights that translate into long journeys of endless waiting. Waiting is always implicit in the process of beginning and in the duration after the start, and durability is a consequence of our need for time and for the body’s place in that time: How do we occupy it? How do we materialise the need to inhabit a path? In Durarei por Paz e Nunca por Mal [I Shall Last for Peace and Never for Evil], Mélanie Ferreira and Daniel Matos design a device in which the audience is invited to be close and to wait for a contemplative path, where solitude and strength are at the centre of a work process that builds possibilities for images or their complete absence, without ever abandoning the body, the space and the future. We suggest a path of individual waiting for something that will always be better shared. — Mélanie Ferreira & Daniel Matos
sharing
time
expectations
confluence
Aditional info
- Price
7€
-
Duration
40min
- Age rating
12+
- Additional information
Text in Portuguese
Acessibilidades do espetáculo
Accessible to wheelchair users
Text
No subtitling in Portuguese
Author's bio text
The Dependência Aberta project, by Mélanie Ferreira, consists of choosing creators with whom she wants to spend time researching and creating, in a format of greater proximity, while at the same time inverting the format of creators choosing the performers. These invitations for collaboration appear because Mélanie Ferreira believes that the creative act has to be true, intelligent, intense and promising and, not being able to take it on alone, she decides to make her body survive through someone else's head. There is thus an assumption of dependence and a need for coaching so that the existence of this performing body can have even more meaning and reach a purer state; without this requiring the dependency to be closed on the other. It is rather an open dependence, where both bodies neutralize, converge and renew each other. Therefore, being in the process of creating a solo is assuming that “I continue to lose myself in my body, so that reconfiguring is necessary and precise, so that the return is the novelty and the constant present.”.
Mélanie Ferreira was born in Switzerland in 1996. Since 2017, she has been working as a performer with several creators. In 2022, she started her project Dependência Aberta [Open Dependence] (DA), which is a series of solos performed by her, but created by artists of her choice. This series includes Tiago Vieira and Daniel Matos. In 2024, she performed in the pieces C A R C A Ç A [C A R CA S S], by Marco da Silva Ferreira, Atsumori, by Catarina Miranda, and Durarei por Paz e Nunca por Mal [I Shall Last for Peace and Never for Evil] (DA), by Daniel Matos.
Daniel Matos is a choreographer, performer, visual artist and curator. In 2017, together with Joana Flor Duarte, he founded CAMA – Associação Cultural, a structure for the development of the performing arts located in Lagos. He is artistic co-director and programmer of PEDRA DURA – Algarve Dance Festival, as well as co-curator of Verão Azul – Transdisciplinary Festival of Contemporary Arts. He is also responsible for the creation of CenDDA – Algarve Dance Documentation Centre.
Mélanie Ferreira was born in Switzerland in 1996. Since 2017, she has been working as a performer with several creators. In 2022, she started her project Dependência Aberta [Open Dependence] (DA), which is a series of solos performed by her, but created by artists of her choice. This series includes Tiago Vieira and Daniel Matos. In 2024, she performed in the pieces C A R C A Ç A [C A R CA S S], by Marco da Silva Ferreira, Atsumori, by Catarina Miranda, and Durarei por Paz e Nunca por Mal [I Shall Last for Peace and Never for Evil] (DA), by Daniel Matos.
Daniel Matos is a choreographer, performer, visual artist and curator. In 2017, together with Joana Flor Duarte, he founded CAMA – Associação Cultural, a structure for the development of the performing arts located in Lagos. He is artistic co-director and programmer of PEDRA DURA – Algarve Dance Festival, as well as co-curator of Verão Azul – Transdisciplinary Festival of Contemporary Arts. He is also responsible for the creation of CenDDA – Algarve Dance Documentation Centre.
Ficha Técnica
- Artistic direction, creation and performance
Mélanie Ferreira
Creation and coaching
Daniel Matos
Lighting design and technical direction
Ana Carocinho
Costume
Marina Tabuado
Stage photography
João Catarino
Video
João Catarino
Promotional photography
Bruno Simão
Project management
Joana Flor Duarte
- Co-produced by
DDD – Festival Dias da Dança, Teatro Viriato / Festival NANT, Centro Cultural de Lagos
Produced by
CAMA – Associação Cultural
Residency support
Teatro Viriato, c.e.m – centro em movimento, Trust Collective, Estúdios Victor Córdon, Estúdio CAB, Produções Real Pelágio/Teatro da Voz
Co-production residency
O Espaço do Tempo
Touring support
Fundação GDA
Materials support
Leroy Merlin